This book concerns the foundation and development of the National Folk Theatre of Ireland, which has recently celebrated 50 years of performances. Also called 'Siamsa Tíre', it examines the ways in which the Theatre provides a locus for promoting and transmitting customary knowledge that had become lost due to modernisation and urbanisation. It also interrogates critically the role of the Theatre in presenting and representing local traditions to non-local audiences, tourism being a key component in the sustainable continuation of expressive culture.The book addresses three issues. First, it considers performance practice at the Theatre with reference to embodiment and identity. Second, it looks at cultural transmission at the Theatre from the perspectives of preservation and perpetuation. Here, it highlights the innovative aspiration (at the time) towards sustainable development where the traditional (as performing arts) was framed within the non-traditional (as staged folklore) to offer a radical model for cultural curatorship and economic regeneration. Third, it observes the Theatre from the vantages of power and politics. That is, the book evaluates the ideological issues and philosophical problems that arise when viewing 'Siamsa Tíre' as staged folklore, a dramatic medium that has often been employed at a global level to promote either international accord or intranational dissent. The work was developed in close collaboration with the founder and artistic director, Pat Ahern, and the performing company. Many contributors to this volume have studied and worked with the work of the company for many years. The volume also benefits for the insights of performers and management personnel.

The cruise missile-also referred to as a guided missile-is a widely employed tactical and strategic weapon, capable of striking ground or ship targets with conventional or nuclear warheads. Before the development of ballistic missiles for attacking an enemy's homeland the U.S. and Soviet strategic arsenals had land-attack cruise missiles to deliver nuclear warheads. Subsequently, the U.S. and Soviet Navies as well as other fleets developed tactical anti-ship and anti-submarine cruise missiles. Much of this book addresses the U.S. Navy's Regulus missile program-the world's first submarine weapon for attacking an enemy homeland with a nuclear warhead-and the similar Soviet Navy's cruise missile efforts. Prior to Regulus a few of the world's submarines had deck guns that were employed for assaulting coastal targets; indeed, the British built a class of submarine monitors with large-caliber guns for attacking coastal targets. After the Regulus more advanced cruise missiles and ballistic missiles were sent to sea in submarines to attack an enemy's cities and military-industrial installations. Certain U.S. and Soviet/Russian land-launched, nuclear-armed cruise missiles also are examined in this book in the context of their being competitive with sea-based missiles for their roles and for resources. Also, at times the technology of one service's missiles was considered for use by another service. The U.S. Navy's rapid and successful development of the Polaris Submarine-Launched Ballistic Missile (SLBM) and budgetary constraints caused the cancellation of advanced submarine-launched cruise missiles-the Regulus II as well as the follow-on Rigel and Triton. Submarines armed with the Regulus I missile continued on patrols in the North Pacific until mid-1964, when they were replaced on the 'deterrent' role by Polaris missile submarines. The Soviet Navy continued the development and deployment of anti-ship cruise missiles, which retained some land-attack capabilities. Following the retirement of Regulus in 1964 strategic cruise missile development in the U.S. Navy experienced doldrums. In the 1970s development of U.S. Navy land-attack cruise missiles resumed with the Tomahawk, initially designed as "theater" land-attack weapon with a nuclear warhead. Significantly, the Tomahawk was designed from the outset of the program to be launched from standard, 21-inch (533-mm) submarine torpedo tubes. While the Tomahawk was developed specifically for naval use from surface ships and submarines, subsequently a land-launched version was developed as a theatre nuclear weapon named Gryphon for the U.S. Air Force as a counter to Soviet theater nuclear weapons in Eastern Europe. (The Tomahawk also was suitable for aircraft launch, although neither the U.S. Air Force nor Navy adopted that concept.) Subsequent Tomahawk variants with conventional warheads were developed for the land-attack and anti-ship missile roles. Sea-based Tomahawk missiles with conventional warheads-launched from surface ships and submarines-were employed extensively and very effectively in the Gulf War (1991) and in several subsequent conflicts and crises. The Soviet Navy's cruise missile programs have a similar development history and that effort has produced several land-attack weapons.

This book is a record of the development of an institution with a remarkable history. Its foundations go back to the early part of the nineteenth century when the local Huddersfield community decided it wanted a place of learning to promote the education of the working classes. Since 1825 development has encompassed a mechanics institution, a female educational institute, a college of technology and a polytechnic, before becoming the University of Huddersfield we know today. The author, the late John O'Connell, was a Professor at Huddersfield and this book draws upon his research which now resides in the University archives.

A TIMES BOOK OF THE YEAR 'Brilliant. The unwritten Bowie book that needed writing' CAITLIN MORAN 'Splendid. Provides plenty of evidence of Bowie's restless, rummaging intelligence, and his pleasure in the fact that books allow readers to slip into someone else's skin and try it on for size' THE TIMES 'A witty and enlightening analysis of Bowie's 100 essential books . . . A handy, amusing, light-touch precis' OBSERVER 'What is your idea of perfect happiness?' 'Reading.' 'What is the quality you most like in a man?' 'The ability to return books.' Three years before he died, David Bowie made a list of the one hundred books that had transformed his life - a list that formed something akin to an autobiography. From Madame Bovary to A Clockwork Orange, the Iliad to the Beano, these were the publications that had fuelled his creativity and shaped who he was. In Bowie's Books, John O'Connell explores this list in the form of one hundred short essays, each offering a perspective on the man, performer and creator that is Bowie, his work as an artist and the era that he lived in. Brilliantly illustrated throughout and the perfect gift for Bowie fans and book lovers, Bowie's Books is much more than a list of books you should read in your lifetime: it is a unique insight into one of the greatest minds of our times, and an indispensable part of the legacy that Bowie left behind.

This book is a celebration of letter-writing in all its guises, a showcase for the masterpieces we would all write if we had the time and inclination - the thank-you letter, a riotous despatch from a far-flung location, that heartfelt declaration of love.

Arthur Conan Doyle asks young journalist Bertram Fletcher Robinson to collaborate on a story. A research trip to deepest Dartmoor cements their friendship as they start work on what will become one of the world's most famous tales, 'The Hound of the Baskervilles'. But the experience will prove traumatic for both of them.